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Michael McMillan
Series ZZZZZ and Other Pictures


November 9 – December 8, 2012
He stops to tie his shoes while distant moons roll forever through eccentric orbits
Acrylic on board
16 x 15 1/2 inches
2000
Her Highness disembarks

 Acrylic on board

20 x 20 inches
2000
The bombardment of Jupiter
Acrylic on board

20 x 20 inches
2000
Law of the Jungle
Woodblock print, ed. of 8
11 1/8 x 15 inches
2001
Evening Interlude
Woodblock print, edition of 9
11 1/8 x 15 inches
2001
My Funny Valentine
Woodblock print, edition of 12
15 x 14 5/8 inches
2001
Our Big Living Room 1940
Woodblock print, edition of 6
15 1/8 x 17 3/8 inches
2002
Spitfire MKIA Rolls Royce Merlin III 1940
Woodblock print, edition of 6
16 1/4 x 15 1/8 inches
2004
Harold Wiseguy ( Young Lust #6) page 1,
Ink on board
22 x 15 inches
1980
Harold Wiseguy ( Young Lust #6) page 2
Ink on board
22 x 15 inches
1980
Silently, and with astounding ease, each beam quickly sprouted luminescent progeny
Ink on board
17 1/2 x 26 3/4 inches
1976
Aha 2
Woodblock print, edition of 4
22 1/8 x 15 1/8 inches
2005
Aha 3
Woodblock print, edition of 4
22 3/8 x 15 inches
2005
Aha 4
Woodblock print, edition of 4
22 1/4 x 15 1/8 inches
2005
Aha 5
Woodblock print, edition of 4
22 3/8 x 15 inches
2005
Aha 6
Woodblock print, edition of 4
22 3/8 x 16 inches
2005
Aha 8
Woodblock print, edition of 4
22 3/8 x 15 inches
2005
Series ZZZZZ no. 1 Thank You For Not Smoking
Acrylic on board
27 x 20 inches
1999
Series ZZZZZ no. 2 Free Enterprise aka Frankenstein Meets Wolfman
Acrylic on board
27 x 20 inches
1999
Series ZZZZZ no. 3 Little Birdie
Acrylic on board
27 x 20 inches
1999
Series ZZZZZ no. 4 Domestic Ballet
Acrylic on board
27 x 20 inches
1999
Series ZZZZZ no. 5 Entomological Encounter
Acrylic on board
27 x 20 inches
1999
Series ZZZZZ no. 6 Ballet Moderne
Acrylic on board
27 x 20 inches
1999
Series ZZZZZ no. 7 A Symmetrical Situation 1943
Acrylic on board
27 x 20 inches
1999
Series ZZZZZ no. 8 Ham on Rye
Acrylic on board
27 x 20
1999 inches
Series ZZZZZ no. 9 Do you Like my Pajamas
Acrylic on board
27 x 20
1999 inches
Series ZZZZZ no. 10 Showdown at the Elysian Field
Acrylic on board
27 x 20
2000 inches
Series ZZZZZ no. 11 A Discussion of String Theory as the South Face of Chingow Spills Forth
Acrylic on board
27 x 20 inches
2000
Series ZZZZZ no.12 What Music They Make
Acrylic on board
27 x 20
2000 inches
Series ZZZZZ no. 13, Awaiting my Power Animal
Acrylic on board
27 x 20
2000 inches
Series ZZZZZ no. 14 Bushmaster Maestro
Acrylic on board
27 x 20 inches
2000
Series ZZZZZ no. 15 Summer 1941: My Double Life
Acrylic on board
27 x 20 inches
2000

MICHAEL MCMILLAN
SERIES ZZZZZ AND OTHER PICTURES
Curated by Dan Nadel
November 9 - December 8, 2012

Opening Reception Friday, Nov. 9 from 5 to 7PM with the artist in attendance.  


Tomato House proudly presents "Series ZZZZZ and other Pictures," the first New York exhibition by artist and avant-garde cartooning legend Michael McMillan. The exhibit is presented in conjunction with the Brooklyn Comics and Graphics Fest and will coincide with publication of the catalog "Series ZZZZZ" by PictureBox. 

The exhibition focuses on a series of acrylic on board paintings begun in 1999, each a different tone poem about life in a visual memory loop. They take the form of memories real or imagined, yet precisely realized. Men-as-furniture; comic strips heroes as cuckolding bullies; the special wonders of mountain climbing; environment as confounding opponent; each sequence subverts expectations of plot and character, relying on shapes and “moods” (as the artist refers to them) to dictate his quiet, luminous panels. Despite the comic format they are highly crafted and rigorously handmade without any thought of publication. 

The paintings are contextualized by important work from McMillan’s 1970's underground comix; exacting, pointillist drawings with a distinctly modernist take on pulp, science fiction, and the new age era.  McMillan describes his comics as one manifestation of his peripatetic creative output: “The real story is: I’m not really a cartoonist. My industrial design background has set me up as a problem solver. To avoid being a dilettante I would immerse myself for a number of years, like a method actor, in each phase of activity: elevator design; electronic component packaging; abstract expressionism; neo-Dada; sculpture; comix; animation; poster design; printmaking. In a sense, I have always been an outsider… A cartoon carpetbagger.”

Born in Pasadena, California in 1933, Michael McMillan received his BS in architecture and industrial design from the University of Southern California in 1955 and worked in architecture and product design while painting on the side. In 1968 McMillan completed an MFA in Sculpture at San Francisco State.  Chicago art group the Hairy Who's 1969 exhibition at the Art Institute of San Francisco inspired McMillan with their cartoon imagery and clever wordplay. Chancing on Zap # 1 at City Lights Bookstore he thought, “why not try this.” He approached Zap publisher Don Donahue, and was surprised to be accepted- 1971’s Terminal Comics #1 would be McMillan’s comics debut.  Primary drawing influences were the Hairy Who, the solid rounded forms of Harold Gray and harsh geometries of Chester Gould, as well as the naïve early Batman and Superman comics. McMillan contributed to publications including Young Lust, Arcade, Weirdo, and Lemme Outta Here. 

He also made his own films, sculpted, designed posters for the DeYoung Museum and, in the late 1970s, worked on a series of animations with Victor Moscoso. McMillan remains in the Bay Area, pursuing printmaking full time.